Lina Selander & Emma Hartman – Limited edition exhibition book

Limited edition book for exhibition of Swedish artists Lina Selander and Emma Hartman, curator Dobz O'Brien. Conceived and produced in response to Rory Prout's essay on the occasion of Speculative Fictions Exhibition at Sirius Arts Centre, Cobh, Ireland. Designed in Skibbereen, edition of 80 hand-crafted in Cork City by a team of many.

Service Design Cork Meetup - Inaugural Session

Wednesday April 15th at CIT James Barry gallery. Facilitated by Heather Madden and Catherine Murphy. www.cit.ie/servicedesigncork #servicedesigncork

What is service design?
The ongoing issue is understanding what this is all about! User involvement is the central element to improving existing services and creating new ones at various levels of complexity. These can range from relatively simple ones like entertainment and professional services right up to the mammoths of education, public service and healthcare. Example methods are service blueprints and personas.

A light bulb moment
Heather then told the story of how as a business analyst looking for ways to improve the admissions process, coming across a project at the University of Derby project it was her "light bulb moment". Here was a solution to the challenge.

A Book of Poetry about Love, God, Madness and Sexuality – Mairead Meade

I'm happy to have helped poet Mairead Meade to publish her collected work on Blurb. Here's her introduciton to the book.
"I started writing poetry to handle my feelings of love as an adolescent teenager. At 17, an event happened in my life that would forever shape me. I began to question my sexuality. Soon after, I fell for a boy and was convinced he was my soulmate. I wrote much poetry through this period of unrequited love. At 18, I fell in love again, this time with a girl, and I became convinced not only was I gay but that she was my true love. This was the beginning of my journey into Paranoia and Schizophrenia as this love grew. In 1995, I found God through various metaphysical experiences. I travelled to Sunderland in the U.K. in 1996 to study B.A. Communications Studies at the University of Sunderland. By early 1997, I had a nervous breakdown and was in hospital in St. Mary's Hospital in Paddington, London. "Blossoms" is a collection of poems from that period. My poetry is about Love, God, Madness and Sexuality. To me, every poem is a blossom of feeling and thought through words.

 I'd like to share my poetry with the world as I believe there is a lot in my writing that can help heal people. By reading my words, I am sure many others can relate to me. "

 Mairéad Meade

Blossoms by Mairead Meade is available to buy on Blurb

A Bookmaking Workshop with the Sherkin Island Poets

In the winter of 2013, a group of Sherkin Islanders, along with artist Tess Leak (centre front), undertook an adventure together: to create a collection of haiku poems inspired by life on the Island in all its forms and complexities. Traditional Japanese Haiku are three line poems with seventeen syllables and are, according to a member of the group, “like little islands” themselves. 

A limited edition of 50 books containing a small part of the collection and was made at a day-long workshop by the hands of the Haiku-Island Poets in their community centre, November 2014. I helped with the setup and layout aspects but was highly impressed at their steady hands on the production line, cover Haiga and beautiful marbled end papers the poets brought to the edition.

The project was kindly supported by the Sherkin Island Development Society and the Cork Education and Training Board. Many thanks to Aisling Moran (Development Officer for Sherkin) and to all the Haiku Island Poets.

Trailblaze – "We Need to Talk about Ireland" Event St. Paddy's Day 2014

Just sent this brochure to print and very excited about tuning into RTE player on Paddy's Day to watch the event live. Cover image by Brendan Canty at Feel Good Lost.



What I learnt from a Panel Discussion on Creative Entrepreneurship – Quarter @ TDC – Makeshift Ensemble at the Triskel, Cork.

Saturday afternoon Makeshift Ensemble and Theatre Development Centre (TDC) held "Quarter@TDC 1214" a day of creative events at the the Triskel Cork. It kicked off with a panel discussion on creative entrepreneurship. 

Lovely tea and cakes were laid on and a hanging installation by Pauline Gibbons definitely warmed the tone of the space. Eszter Nemethi, hostess of Makeshift Ensemble began by introducing the panel:

Colm O'Herlihy – Starter of the Mountain Dew festival Macroom (Coming to Cork this year)

Pat Kiernan – Artistic Director and founder of theatre company Corca Dorca

Emer Ní Chíobháin – Sample Studios, Cork

Dave Calnan – founder of the all-ages venue, The Kino

Rhona Flynn – Founder Cork Community Printshop

I was happy to feel a sense of a excitement about stuff happening in Cork. Spaces around city have become available to use. "Cork is amazing right now." (Colm). 

Question "What was the initial motivation for what you have done?" 
It seemed to be a general case of necessity after leaving college ... Colm spoke of organically starting off the Mountain Dew festival with his friends... Pat and Aoife needed a way to keep doing what they wanted to do by setting up collaborative resources ... Dave saw a lack of a venue for under-age music fans. Rhona is thinking strategically to maintain the long term sustainability of her own livelihood and practice. 

Much of the debate centred around making a living, the choices and issues around that.  The current options for practising artists are:

#1. Go on the the dole : 

PRO: no compromise to your work.
CON: you can't be seen to be in business or do commercial work without getting cut-off. Your long hours are not valued. 

#2. Get Funding :
PRO: an income.
CON:  you are vulnerable to changes in funding structures reactions of funding bodies and politicians to the work, you may have to change the work to maintain funding eligibility.

#3. Commercialise your work : PRO sell the work to get an income.
CON: adaptation or compromise of work.

#4. Teach / work a regular job : PRO: an income,
CON: some qualification requirements. Job scarcity. Current embargo in public sector. 

Funding is a generally accepted option but as Pat Kiernan said there is always only a certain amount and a far greater demand. 

Rhona asserted her support for funding but asked about long term sustainability – if someone is planning a family, house, school runs (a life)… how can you plan or depend on funding for that? 

Working for free – 14 to 16 hrs a day, there is no value on your time. You have to get paid. Self subsidisation is a false economy... People can't maintain that. There is a belief that the dole is an alternative arts council. A wage for artists? – Get to work!!!

How can you maintain an independent practice without compromising the work and making a living?

Option #5 – Be a creative entrepreneur :

PRO: long-term financial sustainability and producing work on your own terms.
CON: no guide book to hand, new terrain, requires diversifying your skills requires taking responsibility and risks. Hard work. 

Question: "So what is creative entrepreneurship?"

Dave Calnan's succinct response was: "Making stuff happen"

The panel agreed that we all need to move away from preconceptions of what an entrepreneur is (business suits briefcases, wheeling and dealing)…. It's more about sharing resources and setting up businesses using our artistic creative skills and ideas. Colm mentioned that this requires "diversification" of work and skills. 

Collaboration is the new way to work rather than competition of old. By building a network of mutual support we can create opportunities for each other. There is benefit of being in a group. The word "ecology" was mentioned which seemed to sum that up nicely.

The result is a cultivation of independence of your own work and empowering others to do the same. Rhona called for a responsibility for our ourselves, our futures and the sustainability of our practices.

Some advice:

Get off the dole:

Apply for the Back to work scheme and do a FÁS start your own business course. Check out the Workspace scheme from the arts council. 

Change the system

Petition politicians for legislative change. Check out the National Campaign for the Arts - the dole and artists practice.

Be clear about your aim

Rhona urged the room: paraphrasing her: "You have to be so so clear about what you want - to get things done especially through the hard times. Have a clear focus for what you want to get out of it. One of the things that stops people from taking action is that their aims are too general and not specific enough."

See the bigger picture

Create things to give back - provide things to make the things. Different kinds of audiences can have different finding streams. Question and brainstorm the potential and possibilities of your project.

Communicate

I asked the crowd to define the value and worth of their work. Communicate to those outside of your knowledge circle. Widen the demand for the work by selling and persuading people on the value for them. 

Listen. 

Aoife from Artlink had the final word: Go beyond your own concerns and ask what you can do for others by listening to what is needed. 

Question "What stops people from doing this?" 
I didn't take notes for that … if you were there too maybe you could help fill in the rest? 

So afterwards a few of us camped at the roundy table in Gulp'd, talked art inspiration and invented ideas for schemes and dreams.

(Quarter is a tri-monthly mini arts festival by Makeshift Ensemble. The next event is on 03/05/14 @TDCcork  facebook.com/quartercork)

Leave a comment on what / how you heard this! It would be great to add further links to resources mentioned. 

Lonely and The Moose: Co-creation of a limited edition CD package

Well I heard Lonely and The Moose at one of their 'Beatroot' sessions and just thought they rocked. We started chatting over–yes–roasted beatroot another day. Tessa and Liz had an idea for their dream CD which would be a precious box holding a bunch of their transatlantic letters to each other. I really liked that and thought of a plan to make a mini-box package as a limited edition run. It would be cheap and cheerful, full of photos, lyrics, memories and teasers for the long run CD. We would all make it together in a 'production frenzy' on the grounds of the stunning Glebe Gardens where Tessa cooks. I think a bonus is that it's flat-packable too: so the girls took a bunch over to the States and assembled them on the road. IKEA-packaging.
Lonely and the Moose
Glebe Gardens and Cafe

Emotionally}Vague in Porto

A portion of my Emotionally}Vague project is currently on show in Porto until the end of March. The Institute of Molecular and Cell Biology, in collaboration with the Museu Nacional Soares dos Reis, exhibits on the theme of Darwinism and emotions. There's an interestingly wide ranging mix of antique and contemporary work, with floating brains and neuroscans included. I'm dead chuffed that E}V is making an appearance at such a large scale in an elegant venue. Alas, I couldn't be there for the artwork installation or opening night. One must let go... If anyone does pop along, let me know what you think.

www.emotionallyvague.com

Le Cool – London

le cool guides – london

Ten Thousand Cent

A collaboration between Aaron Koblin and Takashi Kawashima

Ten Thousand Cents from Ten Thousand Cents on Vimeo.